Showing posts sorted by relevance for query art. Sort by date Show all posts
Showing posts sorted by relevance for query art. Sort by date Show all posts

Tuesday, October 8, 2013

Recent Wild Art Adventures

We've been mixing up various games with wilderness adventuring and art adventuring (indoor and outdoor), as usual. The kids seem to have developed nice relationships, and our Wild Art Tuesdays are delightful!

To the right, the kids were trying on a big felt mask. This group has decided they'd like to make felt masks... As soon as I've rounded up all the supplies we will begin!

Tali (my son) was feeling miserable and tired, and did not to come to Wild Art last week. So the rest of the group created protest signs and marched straight up to, around, and eventually into the house to get him out to join us. He was pleased!

...taking advantage of a sudden heavy rainshower to run out and get soaking wet...

Book corner!


These days the mushrooms are going crazy! Today the older group spent the entire four hours exploring the forest, finding amazing mushrooms, and creating various concoctions, a game of mushroom harvesters, wholesalers and retailers (the things they come up with often surprise me!), and enjoying the enchanted feel of the autumn-slanted sun through the trees.

Making an inedible stew in a bucket! This came with some beautiful inedible side-dishes served on leaves.

...working on the stew inside the forest fort...

Various customers shopping at Tali's mushroom emporium.

This is where the game got very serious. In the background you can see the kids shopping at wholesalers', harvesting, and selling to each other, as well. Currency was "dollars" made of cedar leaves, fern leaves, and moss clumps, some of which were far more valuable than others (as in: "This costs either one clump of moss and a cedar leaf, or 20 fern leaves, or... way too many cedar leaves by themselves").

slugs and pet supplies in the pet shop

Ah! To do business in the great outdoors!

Beautiful mushrooms in the "50-cents-to-a-dollar" pile.

Some rather more expensive mushrooms.

The "so-expensive-you-can't-afford-them" pile.

Wow. Cool mushroom.

Harvesting a sample from each species clump.

Seriously... the beauty out there in the woods is a bit ridiculous. Sometimes I wonder how we were blessed with this life and the wonderful world we have.

Oh my goodness! Giant boletes!!

Earthstar! Cool! I was shown this on the "mushroom tour", which I paid 10 cedar leaves to participate in!

Paxillus atrotomentosus. Remind me of fat chanterelles, but different, with furry brown stems.

Ooooh. Blobs. AKA Hoof fungus.

We didn't have time to look many of these up... no idea what this one is.

Tiny red, orange and yellow hygrocybe were everywhere!
Stump-and-stick art.



The enchanted glade. We spent a long time here, soaking up the beauty!

Friday, April 23, 2021

Playing In the Wilderness Is the Core of a Good Education

Discovering a gigantic (and partially slug-eaten) mushroom here in Canada.

My first outdoor art class was rather an accident. I was working with a group of kids from the American School in Wassenaar, the Netherlands, and decided we'd make a mural to revitalize the wall of a local underpass that at the time was covered with white supremacist graffiti. Taking the kids outside to paint the mural they'd designed was just the obvious next step in the process, and it required the city to drop off a ladder and high-vis barricades to keep us safe from passing cyclists. The city obliged, and we cloistered ourselves up against the wall and painted that mural.

But really we had to stand back quite frequently to look at the job we were doing, which meant stepping out of the barricaded area, across the busy bike-path, and onto the unkempt grassy area beside the overpass. That's where we took breaks, where we sat in the long grass and weeds and chatted, ate our snacks, pondered the mural, and generally did the work of assimilating all the learning that comes with designing and then painting a large mural in a public location--and confronting racism as a group of culturally displaced children. There, in the grass, we found little beetles climbing up the blades; we dropped breadcrumbs by accident and wondered about the safety of picking them up to eat them. We watched all the cyclists zooming by between us and the mural, and we soaked up the sunshine on our faces. We talked about neo-nazis, flowers, bicycles, the various countries we came from, different species of flies, the American School, flies stuck in paint, and languages of racist graffiti. I was nineteen, and really had no idea what I was doing with these kids, as a teacher, but the act of teaching taught me.

Scrubbing algae, tire-dust and graffiti in preparation for painting.

It took me quite a few years, more art classes taught for practical reasons outside, and parenting my own two kids into an unschooling paradigm before I realized the importance of that time spent sitting on grass in Wassenaar. I didn't originally take my classes outside because I knew it was the best place to learn. I took them because it was a place to let off steam; a place to find interesting textures for rubbings, collages, and still-life arrangements, or just the place we had to be to make the big art. Back in those early days I didn’t realize we were doing so much more than art. I took my own kids out just to escape the monotony of our living room, and the boring routine of meals, diapers, nursing, and play time. We did meals, diapers, nursing and play time in the forest, and let me tell you—that was not boring! And it wasn't long before I realized that we didn't actually need anything other than a snack and a spare diaper to go into the woods—that what we were doing there was so much more than just home in the forest: it was everything. Very soon, books, toys, and the stroller were irrelevant, and sticks, mud, water and plants became my kids' playthings. And playthings are learning tools. It wasn’t long after this that I started taking all my art classes outside for at least half our time together, and realized what I’d been missing, all along: connection.

The ecosystem that surrounds our curated homes is vast and complex and interconnected. It’s the seeming chaos that we tried to tame with our cities, boxes, and rules, but in actuality it’s the perfectly-tuned balance of millions of organisms, ideas and functions that we have not yet nearly achieved with our human-made system. Every concept humans dream up has roots in our basic understanding of the world and its natural systems.

Human-Designed Environment vs. Wilderness

The confines of a classroom or home are the curated attempt at a kind of intellectual ecosystem by a species that has become accustomed to putting things in boxes: to looking so hard at one object that we forgot to see the context it exists in. We put everything in boxes. We hang alphabet posters on the wall, keep fish or hamsters in a tank on a shelf for observation, and keep a stack of books, papers, or laptops for recording our observations. In this, we teach ourselves to exclude. We teach ourselves not to consider the wider context of whatever we’re seeing, because we’re afraid it’s too much for our small minds to fathom.

But our minds want to fathom! Our minds need to expand; to take time to sit and observe and wonder; to take subconscious note of all the millions of things that happen in the wilderness, from the slope of a leaning tree to the plants growing on top of it, to the smell of the soil, the mechanics of wings, jaws and elytra to the taste of sap. Our minds draw the connections between these millions of things long before we could ever articulate them.

One of the greatest tragedies of the current education system is our need for documentation and evaluation of learning. Students and teachers spend so much time documenting, testing, and evaluating that there’s no time left for sitting out in the wilderness, just assimilating. I can understand that, given the centralized nature of our system, the people at the top want to be sure every child is receiving the same instruction and meeting the same standards. But this is old. We’re progressing beyond the industrial society this system was designed for, where humans are needed to follow directions and work in factories. We’re on the edge of a new enlightenment, where the work we do with our minds is valued as much or more than our ability to assemble products. We don’t need the over-simplified, over documented fact-sheets of the industrial age, that break reality into such small pieces that it’s meaningless in the big picture. Our minds need a rich environment full of wonder, intrigue, and uncertainty to grow. The wilderness offers that.

Boxes vs. the Big Picture

As unschoolers at home, my kids were welcome to play and explore whatever interested them, free from the school system. But the fear I developed growing up in that school system led me to buy them a series of workbooks designed for their grade-levels. At some point my son was working on the science section (the only section he was willing to look at), and became furious. “This is a stupid book!” he declared. “They don’t know anything!” He was talking about the page that claimed killer whales eat other whales. He knew they ate salmon—at least those whales inhabiting our area at the time. And he knew that other killer whales ate seals and sea lions, but he didn’t care because they weren’t anywhere near us. I tried to explain that transient killer whales might, in fact, eat smaller whales, so maybe the book wasn’t wholly wrong. But both of us were dismayed at the description of something we knew to be a very complex system, as something so simplified as to be incorrect.

Humans are forever trying to make things simpler to understand them. It’s definitely simpler and less risky to put something in a box for observation than it is to go get to know it in its natural environment. If you put a killer whale in a big box with a smaller whale, I bet it would eventually eat it. But then you wouldn’t know anything about either species at all.

Boxes are more predictable, and we like predictable. The trouble is that the world and everything in it is not that simple. So in boxing everything; in teaching our kids “the simple facts” of, say, anatomy, combustion engines, or long division, we ignore the greater context of not only how these things fit into the vast ecology that we’re a part of, but why they matter. That’s why it’s OK to forget them when the test is finished and we move on to the next subject. They were never important in the big picture because we never saw the big picture: The ecosystem of everything.

The thing is, though, that that ecosystem is the context of our lives. We didn’t come from nature thousands of years ago and then progress beyond it with industry and technology, we are nature. We are the ecosystem, and our minds, unbeknownst to us, are naturally evolved to live in, observe, and understand it. Everything we are is the same basic particles that comprise a killer whale, a turtle; a beetle, or a piece of sandwich fallen into the weeds and digested by microbes, on the side of the bike path in Wassenaar. Everything we have built came from nature. Not just the raw materials, harvested unseen behind a slim screen of trees by the highway, but also our ingenuity. It comes from nature. It comes from people walking through the wilderness getting to know it; people living for thousands of years in their own ecosystem, learning and understanding the ecology of that place until they know how to heal themselves with specific plants, actions, and technologies. Humans learned medicine from the wilderness, and then learned to make it into pills. I learned about my own body’s anatomy by butchering rabbits with my family, as a child. Humans learned engineering from stacking, digging, and weaving pieces of wilderness to make homes and all other manner of ingenuity—like birds build nests and bears prepare dens for winter. Children build forts and mats; crowns and shoes and gardens in the wilderness. And this play is where they learn the core skills they need to become engineers, physicians, caregivers, fashion designers, mathematicians, and politicians.

That’s a lot of things to become! And you know it’s just my random little list. It looks like hyperbole but it’s really a gross understatement. I can’t think of a single career that wouldn’t be ideally begun in the wilderness. Why? Because our minds are capable of more than we know, and more than we can articulate. In sitting, playing, or living in the wilderness we give our minds space to learn. That’s why we learn better, there.

Natural play in the forest.

The Whole Picture: Interconnection

Getting to know our own ecosystems isn’t quantifiable. It’s not really so much about seeing or learning more as it is about seeing the interconnection of all things. What was missing from that infamous killer whale page in my son’s workbook was indeed just a lot of information, but more importantly it was the connection between all that information. Salmon is to killer whales what smaller fish are to salmon. And our local residents prefer chinook salmon. But where do they find them? And how do they interact or share territory with the transient (now Biggs) killer whales, who eat pinnipeds, dolphins and minke whales? What do minke whales eat? Who eats their poop? Oh yeah—whale poop is the fertilizer of the seas. Like rabbit, horse, and chicken manure on my garden. Like deer poop in the forest, and the leaves and berries that went into it, feed the ferns, trees, and the grasses that later were picked for the robin’s nest; the corvid that later stole the robin’s scrawny babies to eat; the blue eggshells that fell to the ground to be gnawed by insects and harvested for calcium. The picture goes on and on forever. It’s not just big; it’s whole. Try to put that on a spreadsheet and send it to the ministry for documentation of learning.

Really. I’ve tried. As an unschooling parent still enrolling my kids in a DL program in order to access community resources and group activities, I had to quantify my kids’ learning on paper once every term. I learned very fast that what my children were learning was absolutely unquantifiable; that an “education” in our province constitutes a list of checked boxes, but that what my children understood of the world was much more important. School-going kids also understand far more than is noted on their reports; more than they are seen knowing, by a system inclined to look at them mostly for the purpose of checking boxes. They understand the social connectivity of their class and school, of their families and the landscape of the places they are given to explore. If we want our children to know more about the world, we simply have to give them more places to explore. And if we want them to really become comfortable and fluent in complexity, we have to give them plenty of time exploring in the wilderness.

Exploring: Curated Experience vs. Free Play

Exploring doesn’t mean hiking along a trail. I mean, it might, if that’s where interest led you. But it might mean going off-trail, crawling into the underbrush, or sitting down to dissect a pile of bear poop. It might mean sitting smelling the wind, and maybe it’s autumn, and the wind carries a musky smell that turns out to be a very large rutting deer watching you from afar. He saw you first because he’s accustomed to this wilderness and used to noticing the changes. You’re the change in his wilderness, and now you’re a part of it. And you discovered something you didn’t expect when you sat down to smell the wind.

When kids play in the wild without direction they probably learn more than they would if the play was curated. Most times school kids are taken outside to play, the play is directed by a teacher. Maybe we play capture the flag; maybe we sit and read our books or go on a scavenger hunt. These aren’t harmful activities, but in the expectation of specific activity, they don’t leave much room for exploration. We learn to see outdoor spaces as locations for performing human-designed activities, as opposed to ecosystems to be a part of. But it doesn’t have to be that way.

Take a group of kids into the woods with no expectations, supplies or instruction, and leave them to play. They will use their previous experiences, their broad complex understanding of the world, and their inquisitive minds to take stock of the situation and adapt. They’ll explore their surroundings. They’ll use whatever objects they find around (clothing, sticks, leaves, water) to act out and explore their ideas. It’s a lot like documentation, but freed from the constraints of ministry check-boxes and expected reporting methods, it will look like play. It is play. And it’s essential for learning. Just like in playing, a crow learns where the robins are nesting and where he might find his next meal. He learns how to slide in snow and dig for grubs. Play is essential for learning. In playing with kids in the forest, I learned the best things I know about teaching.

The wilderness provides the best playground for our imaginations, because it’s complex enough to house all our ideas. It provides the best place for learning, because, when we give ourselves time to just be there, we can discover and come to understand—intrinsically—the roots of everything. Without constraints on space, complexity, or imagination, we really can be wholly educated. We can become everything we want to be.


Thursday, November 26, 2020

Wild Art Through the Year

My book is out! I've spent the last nine months making this hand-drawn activity book that brings together all my worlds: explorative learning, ecological awareness, art-making, cooking with wild-foraged foods, and writing. What a pleasure for me!

Wild Art Through the Year is a 60-page book of inspirations to get out and explore the Pacific coast wilderness right outside our doors, and to notice the natural world we're a part of. It's intended to be used throughout the year. Each month begins with a list of things to do and notice, outside, then follows with a colouring page featuring a north-west coast indigenous tree, a puzzle featuring plants or animals of seasonal interest, and sometimes a recipe for seasonally-available wild foods. It's suitable for anyone living or traveling in coastal British Columbia or Washington State.

The book is available to view and purchase through this link:

I loved writing Wild Art Through the Year, and am so grateful for my family's comments and suggestions throughout the process. I hope you'll love it too!

Emily                      .

Thursday, June 19, 2008

Learning Happens!!!

We're pulling out of the part-time program Tali's been attending. We're now officially full-time homelearners.

YIPPEE!!!!

I feel so free! This was a hard decision to make, but we've finally accepted the fact that we are, after all, radical unschoolers. And I guess we can stop denying it, now. Of course there's a huge variety of us radical people, but I don't think we're alone in our intentions. And somehow, just accepting the title gives us an enormous freedom.

At the beginning of the year I had a very clear idea of how the year would work for us. I thought that the learning centre we joined would make our homelearning easy, we wouldn't have to report on our learning activities, and all the legalities would be handled for us -- that part was true. However, I also thought the 2ce/week learning group would be great for Tal's extreme shyness, and maybe he'd get over it. Oops.

So I've learned that my son doesn't have a problem with shyness; he just doesn't like to be in groups of people unless he's known them for at least a few years! Funny that -- neither do I! It's not really a problem unless we try to make it go away. We realized in September that the classroom setting wasn't right for him, but we didn't want to drag him about from one program to another, or in and out of school. So we committed for the year, stuck it out, and are now completely certain that the program isn't right for him. Oh well -- it's an experience. And it's a good program; just for other people. And now we have much less reason to question our decision to be, as we seem to be called now, "full-time homelearners".

Basically, as far as I understand it right now, this decision means that we'll be free to learn as a family however we'd like, but we'll keep in contact with (and take a weekly art class with !!) one of the teachers from the Learning Centre. Because of that connection, we'll not have to fully report on each activity we do; we can just report on the general progress of our children's learning, with guidance from the Learning Centre's teachers. Now that I've officially announced our intentions to the teachers, they've explained this much to me, and I'm quite relieved there won't be any of the weekly logs or record-keeping that seem to be the bane of so many other homelearners I've encountered!

Rhiannon will still be in my Mum's preschool next year, but basically this frees us up to be happily involved with the preschool and also to fully pursue our own interests. We're already excited about having the opportunity to go in to town for a swim every week! It's things like that that I've really longed for, this year.

So here we go, into the summer, finally free and easy, and learning wherever we go. :--)

We've started a weekly art gathering, too. Once a week we get together with other people (all ages) and make art. So far we've done a rock balancing day at the beach and a huge plastic-bag kite/parachute project on the community school field (photo right). Next week will be tie-dying, and after that a full two months of mask-making, earth art, body-painting, papier-mache sculptures, lanterns, even field trips to the mines and meadows.

It's all so wonderful. I feel like we're opening a new and beautiful chapter of an endless book. Since this is a bit of a personal blog, I'll be personal--also because it will explain the absence of posts, here. In the past couple of months I lost a very close friend over an odd misunderstanding, and experienced some awful backflashes while totally out of my element and while away from my husband. So... depression kicked in and the blog suffered. But out of the loss of my friend, especially, I've found a new feeling of detachment. It's not bad. I think it's a kind of zen. And I'm quite sure it's a very important change for our whole family. I do get way too emotional about things, and this calm I've found has tempered that quite a bit. So, while riding this current little flow, I'm very happy to open up to our lives and let the universe take us where it will.

So here, as a bit of a photographic update, are various random images from the past month or so (top to bottom): Tal and Annie at Trout Lake, Tal rock-climbing by the grotto in Apodaca park, the lovely four-leafed-clover we found, Tal building Quadrilla with Grandpa (we LOVE Quadrilla!!), me with the plastic-bag-kite at the art gathering, Rhiannon at her ballet recital, Tal on our swing, and Rhiannon painting her papier-mache "water dragon".


This is happiness!
Learning happens!!
Happy summer!!!

Tuesday, January 5, 2016

Skating All Day and Skating All Night!

We don't get much ice time here in the rainforest, so every year or two, when the pond or lake does freeze enough to skate on, we get as much joy out of it as we can. I'm not a good skater at all. I can go forwards, backwards, and around in circles (but not with much control...). However, when I put on skates and fly out under the open sky - especially with the whole lake to myself - I feel a kind of euphoric freedom that I don't believe I've ever known in another situation. It's my happy place. So this year (as usual), we kept the kids home from school and skated from night to day and back to night again. Ahhhhhh...

Bubbles in the surface of the ice - lit by our flashlights in the night.

Flashlighting through the ice to see the dormant lilies and lake-bottom, below.
By the next morning there was a centimeter of fresh fluffy snow on the ice!

Those who skate together stay together! ...or something. It does take a fair amount of coordination and in-the-moment correction to manage skating together when neither of us actually skates very well, but it's wonderful to share the moment!

My favourite sport shoes. :-)

My favourite man.
  
My favourite boy.

My favourite girl.

My favourite place to go flying in the wind!

We had to share the same two pairs of skates between the four of us, so unskated people made things like footprint art.

...and more footprint art. We wonder if people in airplanes saw it.

And we borrowed somebody's hockey equipment - thank you, whoever you are!!!




Part of the joy of skating is the silly awkwardness of getting geared up and un-geared up. :-)

Back for another night-skate... with headlamps.

Orion watching.

Headlamp and snow-shovel art by Adrian and Tali.

Tali's spiral headlamp and flashlight art.

...and more of the gorgeous ice bubbles.

Happy winter! May skating bring you joy, as well!